Niki Caro’s Whale Rider †An analysis in relation to journeys Essay

The inner expedition is one which involves the hurdling of psychological barriers, as well as heathenish and social obstacles, rather than just a physical trek. The novel Things personal identification number Apart (1958) by Chinua Achebe and the film Whale Rider (2002) by Niki Caro two address the overcoming of emotional boundaries, while following the progress of the main characters. Issues such as cultural differences and gender equality are presented by the composers by dint of the clever use of devices appropriate to the medium, while using the post-colonial context to strain these issues.Similar to Things Fall Apart, the film Whale Rider by Niki Caro explores the breakdown of Maori culture in post-colonial New Zealand. It follows the journeys of Pai, a young girl, and Koro, her grandfather, who both essay to uphold and preserve the Maori tradition, which has been negatively influenced by the European culture. During the film, Pai transforms from an unwanted infant to the new village leader, while challenging the Maori customs through her curiosity, for representative when she learns the sacred art of the taiaha. Koro, who disapproves of her actions, smashes a cup in his anger. Koros wife, Flowers, reprimands him, saying, You top executive be the impress out there, but Im the boss in this kitchen. Caro is addressing the gender barrier which exists in the Maori culture, an obstacle which Pai overcomes in her journey. contempt being reprimanded by Koro, Pai still retains great love for him, as seen in her speech on her ancestors, where she dedicates her words to Koro. The initial long shot places tension on Pai, while the camera is positioned at a low-angle, suggesting that she has gained billet and leadership. This motion-picture show symbolises one of the many emotional hurdles she has had to overcome in her inner journey. Moreover, her catharsis can be related to Okonkwos moments of compassion, thus set off the similarity between their jou rneys.Similar to Okonkwo, Koro progresses on a journey, beginning at the height of power, with Caro using several symbols to signify this, such as the goliath tooth. The use of sombre music and close-up shots of Koro in the scene where he loses the tooth emphasises his sorrow. In the following scene, Caroemploys dark lighting to highlight Koros melancholy, while he strokes the staff, symbolising that it is his last shred of authority. Pais voiceover informs the audience on Koros plea for help and indicates a shift in power and authority as Pai begins to assume her role as leader, But they werent listening, so I tried.Koros discovery of the whales allows him to undergo an epiphany and continue on his journey. Caro has positioned the event during the night, with its dark connotations enhancing the negative atmosphere of the scene. Furthermore, Koros staff is swear out away, symbolising that he has lost all of his power. Koro later realises the error of his ship canal and acknowledge s Pai as their leader, Wise leader, forgive me. I am just a fledgling new to flight. Koros epiphany is thus one of the superlative differences between the two texts, as he is able to surpass the superlative obstacle in his journey and move forward, whereas Okonkwo is unable to change, leading to his death.whole kit and boodle CitedWhale Rider. Directed by Niki Caro (2003). FilmThe Whale Rider. Ihimaera, Witi (2003)